Miler Lagos (Bogotá, Colombia) develops a research-driven practice that probes nature–human relations and the frictions between human adaptability and natural phenomena. Working with industrially processed matter—most notably newsprint—he engineers visual paradoxes that unsettle everyday perception and interrogate the cultural imaginaries sustaining “reality” as an artifact. His studio methods privilege the material’s intrinsic behavior (density, grain, elasticity), turning transformation processes into conceptual engines. Lagos trained in Fine Arts at the Universidad Nacional de Colombia and has maintained an active exhibition record in Latin America, the United States, and Europe.
